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Vic Parks on tour.

Vic Parks was a car salesman, real estate agent, radio host, farmer, acrobat, vaudeville performer and
Lou Costello’s stunt man. The above booth photos and a series of other small identity pictures, (see below) proudly sit alongside three original studio portraits of Vic in my collection. You can see the other photos on Mugshots and Miscellaneous.

In the set of undated photobooth photos, above, we see Vic posing in a dapper silk tie and scarf. On the back of one image is written “Let me see, I’ve been away about 6 months now! …more…that…” (The second sentence has been mostly obscured by glue.) For a time in the 1930s Vic toured in an acrobatic/dance show, so I imagine these were taken specifically to send home to loved ones while he was away.

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Probably taken in a semi-automatic booth in a photographers studio. Undated; maybe late 1920s.

There are many references to Vic’s relationship with Lou to be found online. One of the more curious is from Stories of the Past.

“January 29, 1959

Have you seen TV and movie star Lou Costello walking down the streets of Calexico lately?

We hate to disillusion you, but chances are it’s Vic Parks, owner of Border Fords. And there is a good reason for the resemblance to Costello. Parks is his stand-in in Hollywood.

Parks has been working with the comedian since 1938. Parks has been in one form of show business or another for many years. He and his wife, Margie, still keep their hand in the entertainment business in Calexico.

Parks continues to double for Costello, traveling to Hollywood or other parts of the country when the shooting of a picture is in progress.”

From the photograph in his obituary article (below), it is easy to see why one may have mistaken him for Mr Costello.

Obituary from the North County Times, 1995. How incredibly alike are they in this photo.

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Vic Parks and George Lamar with The Keene Twins circa 1930. Photo courtesy of Brian Murphy.

Above is a publicity portrait of Vic with Leona and Naomi Krummel (The Keene Twins) and George Lamar, Vic’s vaudeville “tumbling” partner. The troupe were at Fays Theatre in Providence, Rhode Island, from March 4 to March 10, 1933.

Brian Murphy, who has given me permission to use this image, has a wonderful photostream on Flickr that show cases hundreds of wonderful vaudeville images and ephemera from the 1920s, 30s and other eras. His father was a vaudeville performer at the same time as Vic. Please have a look at Brian’s archive.

Remember to go to Mugshots and Miscellaneous to see more images of Vic.

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Small proof photos from a studio portrait sitting.

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31 January 1998, Highpoint Shopping Centre, Melbourne

This was taken on the same day and in the same booth as an earlier post where I was photographed with my friend, Holly.

This strip is part of the series Photobooth 41 Year Project. You can see all the posts that document the series by clicking here.

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Some older photobooths produced a strip of photos in a horizontal, rather than vertical format. It is rare to find a complete strip like this.

The writing on the back says Lots of Love to my Daddy, Patsy and These pictures were taken of Pat just as she is. We were shopping and had no way of dressing up for the picture. At least that is what I think it says.

In the third picture there is a ghostly “mummy” hand pointing the direction in which she wants Patsy to look. Given she is barely more than a baby, Patsy did very well with her posing.

The strip came from the United States and as you can see is undated. Please click on either image to see a larger version.

I didn’t have a post scheduled for today but when this gem arrived in the mail yesterday I couldn’t wait
to share it.

When I first saw the picture, in a poor scan on Ebay, I assumed the subject was a man. On closer inspection, I have considered the possibility that this is a woman in drag.

The somewhat theatrical mien of the sitter, the subject’s effeminacy, soft features and no signs of facial growth are a start towards this assumption. Additionally the combination of top hat, pipe, glasses and a business suit seem to me to be caricature features of a male of this period, which I estimate to be the 1930s, rather than an ensemble worn at the time.

If it were a man dressed for a night out on the town wouldn’t he be in formal wear? I never saw Fred Astaire or anyone else for that matter, in a top hat without white tie and tails. There is also something about the top hat that suggests to me that it is nothing more than a costumers prop. The brim seems too narrow and thin and the silky sheen of most top hats is missing.

It could of course be a very young man dressed for a play or a fancy dress party.

Anyone else have an opinion? Please let me know by leaving a comment.

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Approximate original size relative to the larger scan.

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31 January 1998, Highpoint Shopping Centre, Melbourne

This is another photo in my series of photobooth photos that began in 1973 and continues to this day. This is me with Holly. Holly was a lovely friend with whom I lost touch. I miss her.

This strip is part of the series Photobooth 41 Year Project. You can see all the posts that document the series by clicking here.

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This is an unusual polaroid photobooth set. It isn’t in the greatest of conditions but due to its rarity it is worth documenting.

I am not sure if polaroid photobooths still exist. They were certainly never common. This photo is from the USA and has no identifying information. I guess it dates from the 1990s.

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13 January 1998, Spencer Street Station, Melbourne

This strip was taken on the way to see a movie in Melbourne’s city centre. It was The Devil’s Advocate with Al Pacino. I hated it.

This strip is part of the series Photobooth 41 Year Project. You can see all the posts that document the series by clicking here.

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The one that got away.

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The one that I bought.

This wonderful young woman, Drene, appeared in numerous photos that were recently for sale on Ebay. I tried, to the extremes of my finances, to get the top photo, but missed out. I was luckier for number two.

Isn’t she a 60s Goth-Girl stunner? Did they even have Goths back then? I often look back on my youthful conservative style and wish I had had more courage to be different. This girl had no such inhibitions.

The photo I bought has “To Adele love Drene 1/11/1964” written on the back. It comes from the USA.

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Great faces on these two, eh? They must have been great friends to squeeze into a booth together. I wonder if they made the strip for their wives whilst on a trip to the city? They certainly look like country blokes.

This photo comes from the USA and is undated.

Merry Christmas and Happy New Year to everyone. Thanks for all your support and great comments over the past twelve months.

I hope you are all looking forward to the holiday season as much as I am! See you all in 2013.

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