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Mario, my pal the taxidermy rabbit, doesn’t get out much these days, so he was delighted when I offered him a trip in my car, plus the honour of the starring role of Easter Bunny in this festively themed, photobooth photo.

Well, it was all fun and games for us, from the minute we left home. Mario chatted about what he hoped to get for Easter this year. I tried to keep focused on the road. Mario sang along to The Wiggles tune, Little Bunny Foo-Foo. I narrowly avoided squashing one of his relatives on the highway. Mario scoffed the last of the travel sweets. I spilt the last of the water down my blouse. You know, the normal stuff that happens when you go out with a dead rabbit.

Relieved to finally be at the photobooth, we proceeded to prepare for and compose each shot. Imagine our surprise when the prop egg he had given me, started to crack open to reveal a spritely Easter Chick inside!

“Lucky we didn’t boil that one for breakfast”, he quipped. “Yeah, lucky.”, I replied, as the chick gave me a hard peck on my nose and scarpered off into the mall.

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To celebrate the 17th March, I had plans to make my first St Patrick’s Day photobooth strip. Unfortunately my health was such that I was unable to drive as far as the nearest booth site in time, so here instead, are some Irish relatives of mine. Oh, and a pseudo booth strip on a green theme, below.

Happy St Patrick’s Day!
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My friend Ted, also known as one of the larrikin lads in an earlier post, Two Drunks In A Photobooth, is now looking more composed and formal for the camera. I haven’t asked Ted about this, but was it really fashionable in the early 1970s, to wear a window-pane, checked suit with a floral shirt? My guess is that Ted was a fashion leader in this combo, and just so far ahead of the game no one else has ever caught on to this eclectic mix!

Love the face fuzz, Ted.

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This is another in the series of photobooth photo, file cards from a Parisian acting agency. Each photo attached to the card is of a client who was looking for work in the acting profession in the 1950s or 60s.

Monsieur Bensamon, above, looks to me to be perfect for any role as a valet or butler. Which brings me to a film Murder by Death (1976), which is one of my favourite comedies from childhood. It has an all-star cast which included, bizarrely, author of In Cold Blood and Breakfast at Tiffany’s, Truman Capote.

Maggie Smith and David Niven play an aristocratic couple, Dora and Dick Charleston (See dialogue below) who are invited with a group of other guests, to a spooky house where a murder is subsequently committed. The house of course had a butler. It is an affectionate spoof of the work of numerous crime writers of the era but most particularly of the stories of Agatha Christie.  All this is by way of explaining why I bought the above photo, as the butler in Murder by Death is Bensonmum.

Bensonmum is a ridiculous but very funny character, played by Sir Alec Guinness. The similarities in the two names and my affection for the film were enough to make this, less than exciting photo, a must for my collection. There are no details on the back of the card, so all we know of Monsieur Bensamon is his surname and address at the time. If he had been cast in Murder By Death, I am sure he would have had great fun with the following dialogue from the film –

Dora Charleston: Thank you. You are?
Jamesir Bensonmum: Bensonmum.
Dora Charleston: Thank you, Benson.
Jamesir Bensonmum: No, no, no, no, no… Bensonmum. My name is Bensonmum.
Dick Charleston: Bensonmum?
Jamesir Bensonmum: Yes, sir. Jamesir Bensonmum.
Dick Charleston: Jamesir?
Jamesir Bensonmum: Yes, sir.
Dick Charleston: Jamesir Bensonmum?
Jamesir Bensonmum: Yes, sir.
Dick Charleston: How odd.
Jamesir Bensonmum: My father’s name, sir.
Dick Charleston: What was your father’s name?
Jamesir Bensonmum: Howard. Howard Bensonmum.
Dick Charleston: Your father was Howard Bensonmum?
Dora Charleston: Leave it be, Dickie. I’ve had enough.

There are some other great photos in this series, so stay tuned to Photobooth Journal for more posts.

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From my collection

Yo Yo (Bill Alcott) is seen above with a Majorette, which I have just discovered is an American term for a baton twirling marching girl. In Australia we have a different name for this type of performer. We call them  Baton Twirling Marching Girls. Not much linguistic creativity there, Oz! The above souvenir photo is one of many I have seen on eBay, in the past two years or so, where we see Yo Yo posing with a visitor to the carnival or circus. The above photo is the only one that shows somebody in a costume that indicates they were also performers at the event.

My scanner has failed to capture how wonderful this photo is.  There is a depth to the photo that is not visible here. Our marching girl is beautiful. She looks serene and comfortable getting a hug from my favourite clown. I wonder if they were friends?

Below are more photos of Yo Yo with circus goers. Unless otherwise indicated, I do not own them, but copied them from the eBay listing when they were sold.

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From my collection

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I have published photos of this clown before but at the time I knew nothing about him, except that he kept popping up in online auctions in photobooth photos. I am happy to say I now know that this is Yo Yo the clown. Of course he was more frequently known by his birth name, Bill Alcott. I bought this and most of the photobooth photos below from his daughter, Arlene Albrecht. She has so many souvenirs of her own and her father’s career in the circus that she was happy to part with these small items.

Bill started clowning when he was 5 years old as his uncle was a strong man in the circus. He performed well into his 70s. When Arlene was a child she travelled and performed with her father in Jay Gould’s Million Dollar Circus. The circus had a carnival, so it was a complete package for state fairs & other community celebrations. Arlene’s mother had a photobooth and her brother had a slum spindle (which I believe is a game designed to favor the owner, not the player) on the midway. Later the family added snow cones & cotton candy to the business.

The photobooth was very popular during the second world war as all the girls at home were sending pictures to their sweethearts in the military. Their photobooth was a great feature, for children and adults alike, to get a personalised souvenir of the circus. I will post some of that type of photo soon.

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It is interesting that his advertisement for work mentions that he was sober. Taking one meaning of the word, it is hardly appealing to employ a clown of sober mood. Taking the other meaning of sober, which is obviously the one intended, one wonders if there were so many drunken clowns in the business, that it  was necessary to specify that detail.

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The photos below are copyrighted to Clown Alley. I asked for permission to use them but didn’t receive a reply. I hope using them will not upset anyone.

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St Louis Police Circus 1956. Yo Yo is the second last clown on the right.

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Yo Yo in colour, cuddling a Policeman clown.

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I don’t much like it when elderly couples are characterised as ‘sweet’ or ‘cute’. I think it is patronising and condescending. It ignores the fact that older people are smart, experienced and tough. If they have maintained a relationship for long enough to be growing old together then they are patient, loving and tolerant as well.

This 1930s photobooth photo from the USA shows a couple that has lived well and survived. They appear to be dressed up for a special occasion or simply for a trip into town, which may have been a special occasion itself. They still have a sense of adventure and fun to have stopped, into what was a very recent invention, to have their photo taken. I like their matching granny glasses, her lace collar and beads.

They both have wonderful half smiles that make me feel that they were enjoying themselves and each others company.

 

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Here is another one of a series of photobooth adorned file cards from a Parisian acting agency. I had previously thought that all the photos in the series were from the 1960s, however the seller has told me that some come from the 50s as well. This one looks to me to have a definite 50s feel to it.

Each card shows an actor in a pose which they hope will entice someone to give them work. Along with Rose Marie Arotce’s address and telephone number on the front of the card, there are details listed on the back. Rose Marie’s height in metres is recorded as 1.68.  She was a model (not surprising due to her height, sophisticated style and beauty) and also a comedienne. I am very impressed that she is listed as a comedian, as even now it is a difficult field for a woman to work in. I imagine it would have been much harder some 60 years ago. The abbreviation GRC appears on this card and some of the others. I have still not worked out what it might be short for.

None of the actors, in the cards I procured, ever made it big in the acting profession, however I have set myself the task of searching IMdB to discover if any of my new photobooth friends worked at all in film and televison.

If you would like to see some of the other cards in this series, please click here.

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This is the last set of photos of beautiful Ms Toledo wearing another selection of stylish hats. To read more of how I came to give her that name and see more pics of her, please click here.

As with the other images in this series, these photos are approximately 38 x 44 mm in size.

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This is the third post of photos of the same young, beautiful woman, who I have named Ms Toledo. To read more of how she came to have that name and see more images of her, please click here.

Once again Ms Toledo is showing off a gorgeous, though somewhat precariously place hat and a fashionable hair style or two.

Most of the photos, including these ones, are approximately 38 x 44 mm in size.