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When previewing this post on my predominantly monochrome blog, the lurid orange of these gems came as a bit of a visual shock to the system. However, the colour is true to the originals which are in perfect condition.

Presumably a husband and wife (both photos came from the same estate), these are lenticular photos. My one other example of this rare type of photobooth item can be seen in this earlier post.

These 1940 World’s Fair Movie-Of-U souvenirs are made up of three exposures taken in succession on the same frame. The frame is placed under a lined sheet of acetate and when tilted appears to show movement.  In the flat position needed to make a scan of these images, it is not possible to capture the images separately.

When in action, the movement is fluid and really looks like a mini-movie.  In some ways they could be seen as a primitive version of the Graphics Interchange Format (GIFs) I used in earlier posts this month.

I bought this strip of photos from Ebay (of course!) but this one is sentimentally special because it was posted to me at my address in New York City, when I had an apartment there on Beekman Place. For two whole months I was a resident of that great city, with my own place, a gym membership, a favourite local diner and a cool local friend called Kelly.

These two are having a good laugh in what appears to be a relatively recent photobooth strip. I can only imagine how this ended up being sold online so soon after its creation. Was it one of those not-quite-perfect sets that ended up discarded on the ground, prey to someone like me, who loves a found photo?

These two young ladies are identified as Cleo and Etta. The photo is dated 1934. Etta’s intense Read More

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This is another lady whose beautiful face and eyes draw me in. She is from Germany and given the cloche hat the date of the photos must be the 1920s.

This series of eight photos (many of the earlier booths took eight consecutive shots rather than the four we see today) is unusual due to all the original number being present. They look to be perfect for an animated gif but I thought I would try the slideshow option to see how that looked. If you hover over the image a control bar appears and you can fast forward through the images to get a bit of an animated feel. The original photos are below.

When I published this animation the other day, the movie was static until clicked. That opened a link to another page where the gif played and the image was very large. Apparently the size of the original files was the issue.

Thanks to Lemuel from the blog History Geek for telling me why it wouldn’t play automatically and for telling me how to fix the problem. If you are reading this blog you will likely find a lot to interest you at History Geek, so check it out here.

Livia Satriano published author and writer of the vintage photo blog Assez-Vu, has been kind enough to pen a piece about the film project I did with Dick Jewell, for the online magazine Lost at E Minor.

Her mentioning the film Amélie, reminds me of a post I have been meaning to write about a series of peculiar photos I found discarded near Melbourne photobooths in the early nineties. More of that soon, I hope. In the meantime please click here to read her article.

The publishers of Lost At E Minor describe it as “an online publication of inspiring art, design, music, photography and pop culture: low brow sensibilities mashed with high brow movements. The site was founded in 2005 by brothers Zolton and Zac Zavos, who are also behind the Australian sports opinion website, The Roar. The site is compiled by a worldwide team of writers.”

Livia is an Italian media graduate based in Milan. She works as a freelance writer and researcher, mainly writing about music, art and culture. Here are more of her articles at Wunder Buzz.

‘s blog is well worth checking out, too. She says Assez Vu is “a collection of visual memories: all things odd and beautiful from the past. Sometimes remembered, more often forgotten. Surely worthy to be seen.”

When I published this strip of photos the other day, the response was very positive. More than one comment suggested the photos would look good as a mini-movie, aka a gif animation. I don’t have the software to do it myself, so I used a free gif-maker web page. I like the result but more experiments with other, longer series of photos might give me more of that mini-movie look I’ve seen elsewhere.

Emulsion is peeling from the surface; there are cracks and tears in the paper. Although this photobooth picture is in very poor condition, as part of a series of photos of a German man over a lifetime, it is important to me to preserve as it shows him at him youngest.

I was in two minds whether to include so many non-photobooth photos here at Photobooth Journal. I would normally link the booth pic to another post of the rest of the photos on my other blog at Mugshots and Miscellaneous. However, I was inspired by a post at Ian Phillips’s illustration site of photos of one young man through various sittings and in various fashionable attire. Whether the images cover a long period of time, as shown here, or a much shorter period there is some fascination in following more than one moment of a person’s life, sliced out of time by a photograph.

Ian Phillips also has another fabulous vintage photo blog called Swimming in Pictures that I highly recommend for a squiz.

I bought this item under the title Original Saddam Era Military Identity Card From Iraq. Not being able to read the arabic script, there is no easy way for me to ascertain whether that statement is true. Regardless of its authenticity, it is an unusual item that shows the wide international usage and popularlity of the photobooth.

The fact that the gent in the booth is sporting a fabulous tache also makes for a great means of celebrating and promoting Movember. This charity fundraising event started its meteoric rise to international acclaim in a pub in Adelaide, South Australia in 1999. So you Mo Bros out there, how is yours growing and which charity are you supporting this year?

The lady on the left seems more familiar with the photobooth process than her friend, who appears to be struggling with where to look and how to pose. In the last frame the realisation of the absurdity of her cluelessness takes full effect in an outburst of mutual laughter, making a delightful record of shared experience and friendship.

The quality of this strip isn’t great. It has either been left exposed to direct sunlight for an extended period or was not washed properly in the machine during processing. This item came from the USA and appears to date from the 1950s