photoboothTraceyEminDailyMail

And who would have thought that emminent British artist Tracey Emin would take after me?

… it’s striking that there are so many photos of Tracey alone in photo booths, when most people are always crowded out with friends.

‘I was trying to see what I looked like. It was almost like the mirror didn’t work and I had to have this other proof of who I was.

‘I don’t like looking in a mirror. I look because I have to make sure my hair is tidy and my spot isn’t too big and I haven’t got any junk in the corner of my eye, and to make sure everything’s tucked in and it looks all right, that’s it. I’m not interested in looking in the mirror to see my reflection, I don’t think I ever have been.’

Image and quote taken from this Mail Online article. This is a link to Tracey’s website.

Cool tie, cool hat, sharp lapels – what a dude. And such a beautiful sanguine face! I love his slightly raised eyebrows, almond eyes and half smile. I feel very warm towards him, as there is something in his expression that suggests kindness and charm.

The background in this booth photo is very unusual, so I would suggest it was added by the owners of a club or bar where the booth was situated.  It is undated but I would guess, based on the quality of paper and the clothing style, it was taken sometime in the 1930s. There is self-adhesive album residue on the back (those albums date from the 1970s) which suggests it was loved and cared for for many years after it was taken.

photoboothAfricanAmericanManSanguine

The photo is of a slightly larger size than most of my booth photos. It measures 65 x 78 mm and came from the USA.

Please scroll down for more photos after the article.
photoboothDad&PatFrontCyrilAstor photoboothDad&PatInsideCyrilAstor

Cyril Astor ran a photography business that was exclusively dedicated to photobooths. In partnership with a Mr Leach, Cyril hired out booths to tourist venues and special events,as well as having a number of booths in permanent locations. The business no longer exists but was located on Cefndy Road Industrial Estate in Rhyl in the county of Denbighshire in North Wales. Rhyl is a seaside resort town and an ideal place for booths that supported the local tourist industry.

photoboothCyrilAstorUniform

Inscribed on the back “To Mother From Edwin”

I was unable to find a record of when the business started but his booths were used at the Cardiff venue for the Festival of Britain in 1951, so the business was in operation at that time. In 1972 the business still existed when Irish lass, 20 year old Patsy Furber worked there. I am very grateful to Patsy for her help in my research for this post.

Patsy has shared some of her personal memories of Cyril’s business with me –

“The managing director was a Mr. Leach, the manager was Gwyn. Mr. Leach’s secretary was Cathy and the telephonist and office worker was Nerys. I was a shorthand typist and part of my job was to type order forms for the chemicals they needed for the booths.

I liked working for Cyril Astor’s business in the beginning but left with extremely bad feelings. I come from Belfast, Ireland and I am afraid I fell foul of political bullying caused by misinformation given by the Special Branch Police in Wales.

I really did enjoy myself at Astors but felt it very unfortunate that things turned out the way they did.  Unfortunately, it was the political atmosphere at the time. It was a thing a good many Irish in Britain had to endure….”

Mr Astor had booths in Margate (UK), Ramsgate (UK) and Rhyl in Wales. One of the prime spots for his booths was on the ‘Great Orme’ in Llandudno in Wales. Without Patsy’s help, it was difficult to find information about Cyril’s business but I did find that he was an exhibitor at a trade fair at Alexandra Palace which was advertised in Billboard magazine on the 26 November, 1966. Presumably this event promoted his booths for hire.

photoboothCyrilAstor copy

In addition to being a photographer, Cyril was an inventor. He made a patent application in 1966. The Patent Index says that he applied for patents to make improvements to the Photomaton machine in the early 1960s.

“Abstract of GB962798 962,798. Rollerways. CYRIL ASTOR PHOTOMATON (LONDON) Ltd. March 2, 1962 [Dec. 16, 1960], No. 43458/60. Heading B8A. [Also in Division G2] Film is conveyed through a processing tank by a plurality of vertically-spaced sets of rollers, each set being individual…”

On the back of each of the cardboard photo frames it says, “Photographer: Cyril Astor. You can obtain three beautiful postcard sized enlargements by sending this photograph with name and address to Cyril Astor, 28, North Drive, Rhyl, North Wales. Together with postal order valued 5/-. It is never too late to send and you get this photo back.”  Of course it is too late now, despite the claim, but it does make me think there could be some fabulous photobooth postcard gems out there to be discovered!

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Printed on the backs of the father and daughter pair (above) is Cyril’s standard advertisement.

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photoboothCyrilAstorRamsgateFront photoboothCyrilAstorRamsgateBack

photoboothCyrilAstorFestivalofGB

photobooth06061999

6 June 1999, Chadstone, Melbourne

This is me with my six week old nephew, Calvin and my sister, Sue. It is a coincidence that this photo was taken exactly 15 years ago today. Well almost. I was actually going to publish it on the 7th of June (tomorrow) until I noticed that I was writing the post so close its anniversary. Needless to say, Calvin is now a strapping lad of fifteen who is getting up to all the kinds of mischief a 15 year old should.

This was taken at Chadstone Shopping Centre where there was once a black and white chemical photobooth, which is sorely missed. You can see an earlier photo of Sue and her son in a photobooth here.

This strip of photos is from my series Photobooth 41 Year Project which documents my life from the age of 11, through photobooth photos. You can see all the posts in the series by clicking here.

photobooth12:05:1999 1

12 May 1999, Melbourne

I took this strip of photos after a meeting at the greeting card company John Sands. I was still running my own greeting card publishing business but my health was beginning to fail. I was looking for options outside self-employment but still within the industry. I am not entirely sure what I expected of the meeting but nothing eventuated from it.

I imagine this was taken in one of the Flinders Street photobooths but as I made no record of the location, I cannot be sure.

This strip of photos is the first I have posted this year from my series Photobooth 41 Year Project. You can see all the posts that document the series by clicking here.

To cast this pretty child as a Dolores Haze/Lotita type is very easy given her provactive pose in the final photo of this strip. That photo,  accompanied by the previous two with her teddy bear, contradict each other so sharply that I doubt she was fully aware of the impression she was creating. Still, her expression suggests that she was experimenting with her “grown-up” persona whether or not she was conscious of projecting her budding sexuality.

These three images are very unusual in the context of photobooth photos and a valued part of my collection.

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The strip is undated but looks to be from the late 1960s. It originated in the USA and measures 500 x 41 mm.

 

 

These two boys are a wonderful pair. What a lovely affectionate pose! They are cute as all get out, with their rakishly tilted caps and loose neck ties, not to mention the rose bud in one lapel. There heads just resting together and those smiles, make me love them both. The feminity of the features of the owner of the magnificent ‘tache made me think briefly that it was a woman in drag but I have dismissed that idea. Do you agree?

photobooth2sailorsGreatMo.

 

This photo comes from an album of photos that mostly were dated 1941. It measures  37 x 52 mm and came from the USA.

Movie of you Front

Front

I bought this rare type of photobooth photo from an online seller in the USA. I have others in my collection, three of which you can see here. When it arrived it was in a parlous state of repair, being in two pieces and covered with brown paper tape to stop the photo inside from moving. None of the item’s problems were listed in the  advertisement.

After numerous emails where the seller accused me of creating the damage, I finally got an agreement to a refund but it cost me more to return it (it had to be sent registered post), than the item originally cost, leaving me out of pocket by $18. Having had to scan the photo to prove that the item had arrived in poor condition, I decided the best way to ameliorate my bad feelings about the whole affair, is to do a blog post about how the mechanics of this type of photobooth item works. I hope you find it interesting.

Movie of you Back

Damage and brown paper tape on back.

movie of you without photo

With back and therefore photo removed. You can see the marks on the “lens” that gives the illusion of movement when the item is squeezed.

Movie of you Inside

The inside of the item, showing the lens and photo. The image has three distinct images overlapping and printed together. The lens separates each image and the illusion of movement is created by squeezing the sides of the frame.

 

 

This is the type of picture that everyone who collects photobooth photos wants to own and will be willing to pay a high price to get.

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The above photo of two young chaps posing with an Imperial box camera, was highly sought after on Ebay. As most often happens, I was unable to compete with more highly cashed up collectors when it went up for auction early last year.

Judging by the black paper background, I think this photo was one from Broken Heart Gallery, the shop of Albert Tanquero who did a guest post for me last month.

It is a standard photobooth print size of 40 x 55 mm.